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  Balance is how equal or unequal a visual appears. Harmony is when combined elements complement one another.
Definitions
- Balance - The appearance of equality in a composition.
- Harmony - Instances where combined elements complement one another.
Art Examples
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                      [MUSIC]
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                      The elements of art and design are the
fundamental building blocks of any visual,
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                      and the principles of art and
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                      design describe how the elements
can be combined together.
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                      The principles can be used to help
describe a complete composition,
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                      like a painting or
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                      a website, rather than its individual
components, like colors and shapes.
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                      Let's start with two principles,
balance and harmony.
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                      Balance is how equal or
unequal a visual appears.
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                      You might have one side of a composition
that has some shapes, colors, and
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                      textures, and other elements represented.
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                      And then the other side of the composition
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                      might have a fairly equal
set of those same elements.
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                      This is called symmetrical balance, and it
can create a sense of calm and stability.
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                      Think about the facade of
an Ancient Greek or Roman building.
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                      The balance is almost always symmetrical,
split down the middle.
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                      And the buildings look formal,
strong, and confident.
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                      If two sides of
a composition are not equal,
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                      say one side has lots of shapes and
colors, and
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                      maybe the other side does not,
this is called asymmetrical balance.
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                      Asymmetrical balance may be desirable.
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                      In some cases, especially in fine art, it
might be your intention to create a sense
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                      of uneasiness, as if the composition
could topple over at any moment.
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                      In this 1830s wood block print by
the Japanese Ukiyo-e artist Hokusai,
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                      this big wave on one
side dominates the image.
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                      And it's leaning over a bit, clearly
about to topple over on these people.
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                      They're definitely in the splash zone.
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                      It inspires both wonder and
fear of nature,
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                      not just because of the subject matter,
but
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                      because of the way it is depicted as
being stronger and bigger than us.
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                      On a website marketing a service,
you might be able to use this to present
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                      a problem as chaotic and
unmanageable, with your product
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                      acting as a serene solution on
the other side of the composition.
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                      The next principle is harmony.
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                      Similar to harmony in music, this is when
combined elements complement one another.
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                      You might have some similar shapes that
feel like they go together like two puzzle
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                      pieces.
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                      And as we saw previously,
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                      there are many harmonies that can be found
when combining colors on the color wheel.
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                      It can create a sense of completeness,
and make a piece feel whole.
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                      Like two rhyming words,
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                      harmony can be powerful when you're
attempting to persuade an audience,
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                      because it can make your ideas have
a stronger sense of belonging.
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                      This is very useful when creating
landing pages on websites and apps.
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                      This principle can be one of the most
difficult to grasp, because it's hardly
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                      ever one thing that makes a composition
appear to be harmonious, but
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                      a confluence of things working together.
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                      Take a look at this
painting by Paul Cezanne,
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                      one of the most famous French
post-Impressionists, from around 1885.
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                      The red cherries have a color
complement present in this green jug.
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                      The orange and
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                      red peaches are complemented by
the green and blues in the background.
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                      There is warm tones in the food
on the left and right side, and
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                      cool tones everywhere else,
giving a sense of balance.
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                      The circular or
elliptical shape of the food is echoed
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                      by the shape of the plates that they're
sitting on, and the chaotic lines of
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                      the cherry stems are present
in the folds of the cloth.
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                      And if you just sort of pause the video
and look at this image for a minute or
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                      two, and just let your eyes wander to
whatever looks most interesting to you,
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                      you might start to notice more
things in this composition
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                      that feel like they work together.
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                      In fact, this painting is so harmonious,
you might even think this picture
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                      is pretty boring,
because it just looks like it belongs.
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                      But imagine, instead of cherries,
that this was a big plate of broccoli.
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                      It would throw off the whole
balance of the cool and warm tones.
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                      The complements wouldn't be there anymore.
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                      The shapes wouldn't be repeated anymore.
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                      And it just wouldn't work quite as well.
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                      That's the essence of harmony.
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